Face mounting Flex can be very challenging, as a single speck of dust or dirt adhering to the polyester surface will ruin the print when mounted. Many galleries still produce and sell face mounted Flex prints as their premium product. Fine Art Limited Edition of 200.įor many years, FujiFlex SuperGloss prints that had been face-mounted to acrylic glass were the go-to choice of high end photography galleries around the world. A brilliant flash of fire, the autumn boughs make the surrounding beds of moss seem almost to glow. Nebulas of scarlet stars erupt from the twisted branches of an old Japanese maple in a garden in Portland, Oregon. I offer loose FujiFlex photographic paper prints in sizes ranging from 16x24 to 30x45. I have experienced far too many subpar frame shops ruin prints trying to frame these pieces without dry mounting them first. For this reason alone, I have all of my SuperGloss prints mounted to 2mm styrene prior to shipping to my customers. The reflective high gloss properties of Flex are absolutely gorgeous, but if hinge mounted or taped without any flat surface substrate prior to framing, the high gloss surface shows ripples in the paper that stick out like a sore thumb in changing light. It is absolutely critical that some type of substrate be used to mount the print prior to framing. Visually, the best way I can describe this paper is that it has the appearance of being wet due to the incredible high gloss surface.įujiFlex is typically either framed traditionally, or face mounted to acrylic glass prior to being displayed. The Fuji website describes it as "A white polyester-based material for use with conventional and laser printers, FujiFlex Crystal Archive Printing Material produces rich image color and pure whites, with exceptional surface gloss and flatness." While there are many high quality fine art photographic papers available today, FujiFlex Super Gloss is my personal choice out of all photographic papers due to the high gloss surface and visual depth provided by the polyester-based surface material inherent of this print medium. What is FujiFlex Super Gloss? FujiFlex is a silver-halide digital photographic paper with a polyester-based coating. FujiFlex Crystal Archive Super Gloss | Traditional Photographic Paper Prints Order yours today! Fine Art Limited Edition of 100 1. Transform your space with Aaron Reed's luxury fine art photography print, The Window, from his Panoramic Wall Art collection. Now you know you want to see that! Printing technologies have come a very long way in recent decades providing new and exciting opportunities for both artists and art collectors alike, but which of the mediums available are the best of the best? Keep reading to learn more starting with the more traditional and least expensive option, through a solid mid range choice and ultimately to what I believe is the very best your money can buy. In fact, you can have it printed onto sequins, that when brushed in the opposite direction, reveal a kaleidoscope of metallic rainbows. How about a t-shirt, coffee cup or a backpack? Consider it done my friend. Care to see your photos printed on a natural plank of wood freshly cut from a tree? No problem. These days, you can have your photographs printed onto almost anything. The Best Fine Art Print Mediums Explained
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